Getting sentimental over you brass quintet sheet music

#Getting sentimental over you brass quintet sheet music free#

'When New York brass quartet the The Westerlies dropped 2014вЂ™s Wish the Children Would Come HomeВ (Songlines) they forced me to reevaluate Seattle keyboardist Wayne Horvitz as a composer. Listen to the rollicking вЂњNew Berlin, New York,вЂќВ for starters.' - Chris Barton, LA Times Over two discs the New York City-based, Seattle-born brass band occupies a lively territory between jazz, Steven Foster-styled folk and chamber music with bracing melodies and, crucially, an undeniable sense of fun. 'How does a four-piece trumpet and trombone instrumental combo earn raves from both indie-leaning music blogs and public radio while also performing at the Newport Jazz Festival and local rock clubs? The answer can be heard in the sprawling self-titled album due Oct. Praise For вЂњThe WesterliesвЂќ Songlines Recordings, October 2016 This is a virtuosic brass outfit that would be as comfortable on a New York concert hall stage as in a sweaty New Orleans nightclub.вЂќ - Ron Schepper, Textura It's a distinctly, deep-rooted American sound, yet it also collapses borders in the way it welcomes listeners of all kinds. Its classical dimension is reflected in the refinement of the music and the precision and clarity of its execution jazz is accounted for in improvised moments that emerge out of composed structures folk is heard in the music's melodies, and the playing exudes a soulful, gospel-inflected coziness. вЂњOn this release, everything from gospel, folk, jazz, and classical seeps into the performances, all such colours blending indissolubly into a mix that defies straightforward classification. вЂњWhatвЂ™s impressive about The Westerlies - originally from Seattle and now based in New York - is just how much music emanates from these four horns, not only in instrumental prowess but also dynamics, textures and composition reflecting a world of voices emerging as a beautiful, new American sound.вЂќ - Donald Elfman, The New York City Jazz Record

#Getting sentimental over you brass quintet sheet music free#

This is an excellent release from a fine working ensemble soon to embark on its second decade.вЂќ - Troy Dostert, The Free Jazz Collective вЂњWhile all four players are prodigious talents with impeccable technique.the WesterliesвЂ™ talent ultimately lies in blending their four voices in ways that accentuate the beauty of the music, as Wherein Lies the Good makes clear.

вЂњSurprisingly accessible, without a hint of gimmickry.вЂќ - George W. Every album should be this intriguing.вЂќ - Lee Zimmerman, Rock & Roll Globe вЂњUltimately Wherein Lies The Good is flush with fascination, a daring and distinctive work of profound proficiency. Nevertheless, the double-trumpet (Riley Mulherkar, newcomer Chloe Rowlands), double-trombone (Andy Clausen, Willem de Koch) ensemble comes closer to tearing the roof off the sucker on its third album, Wherein Lies the Good, than ever before.вЂќ - Michael J. вЂњThe Westerlies hew much closer to the вЂњBritishвЂќ (or вЂњSalvation Army,вЂќ if you like) flavor of brass band than the currently trending вЂњstreet-funkвЂќ flavor. Wherein Lies the Good should appeal to purists of every ilk as well as lovers of good music everywhere.вЂќ - Hrayr Attarian, All About Jazz Hence their artistic melange is far from being superficial. вЂњIn addition to being a cohesive group of virtuoso musicians, The Westerlies is an innovative and versatile collective that has mastered several styles. Sporting this forward-leaning vision, The Westerlies join a decades-long line of wind players who helped shape jazz history, each with a unique brand of genre agnosticism and freedom fighting.вЂќ - Suzanne Lorge, Downbeat вЂњThe Westerlies are moving in sync with their stated mission: to вЂamplify unheard voices, paint new sonic landscapes and cultivate a global community.вЂ™ ItвЂ™s a mission that group members take seriously, and one that influences the repertoire they choose, the musicians with whom they collaborate and the gigs they curate. One of the trombonists folded tin foil across the bell of his horn, creating a restless sibilance underneath the crystal tones and rough growls of his bandmates.вЂќ - Giovanni Russonello, NY Times On this rendition of RussellвЂ™s вЂњEli,вЂќ the Westerlies smartly lean into the tuneвЂ™s blend of harmonic splendor and hollering lament - and theyвЂ™re mindful of the need for some textural play. His music is about melody and counterpoint, but itвЂ™s also about the grain of his voice, and treating sound as humid atmosphere. ThatвЂ™s doubly true when theyвЂ™re dealing with Arthur Russell, the experimental-pop cellist and vocalist.

вЂњAn arty quartet featuring two trumpeters and two trombonists, mixing ideas from jazz, new classical and Appalachian folk, the Westerlies donвЂ™t really have the option of doing a straightforward cover of most songs.